![]() ![]() There's lots about digital cinema that we do know, but likewise there are lots of bits-the DRM schemes, the proprietary scaling algorithms, the secret audio rendering sauce-that we don't. Let's rewind a bit.įirst, two caveats: like most commercial ventures, the further up the tree you go the more mysterious and clandestine things become. Today, the place is fully digital, from films delivered via hot-swappable hard drive caddies, to the Dolby digital cinema playback system, to the Christie scalers and projectors.īut I'm getting ahead of myself. For about 60 years, the Cannes Film Festival used conventional, traditional film projection. Then, of course, there's the main cinema system. ![]() There's a press room full of shiny new HP computers, a snazzy ticketing system, and an area downstairs where visitors can sit in front of a PC and stream dozens of Palme d'Or-nominated short films from a central server. Behind the scenes, though, the festival thankfully embraces new things. ![]()
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